Saturday, February 20, 2016

Lauren Augustine
Three Dimensional Emphasis


The sculptures and ceramic works that I create explore storytelling, mythology, and emotion.  I love the process of working with clay, and the control that I have with it.  Working tools into clay, to get intricate details, helps me explore more of the character in my sculptures.
Storytelling is an important part of my process, by developing characters I am able to explore personalities and tales.  I am interested in the complexity of characters and how they can make stories come to life; I use character design as a vessel for feelings, personalities, and narratives.  I create these characters so that people can have their own experiences and interpretations of them.  
Mythologies often include animal hybrids to signify forces in nature.  Myths are stories that try to address many fundamental questions, like: who am I, what am I, where am I going, what are the right and wrong things to do, and where did everything begin? In an interview Bill Moyers conducted with Joseph Campbell, Moyers stated, “Myths are stories of our search through the ages for truth, for meaning, for significance. We all need to tell our story and to understand our story. We all need to understand death and to cope with death, and we all need help in our passages from birth to life and then to death. We need for life to signify, to touch the eternal, to understand the mysterious, to find out who we are.”  In most of my work I use hybrids to add more character and mystery to my figures.  
In my current work I am using the Celtic Ogham, or the language of trees, to signify mythology in my creations.  The Ogham is an old Druidic language that was used for divination.  The Druids used important trees and plants to symbolize the letters in this language.  In my “Ogham” series in progress, each character will represent a tree or plant form and the Ogham letter that corresponds to it.  The emotions and movement that I portray in these figures will help create more of the narrative.  My characters are starting to get more expressive, they are not static, they are moving in some way.  Even if the art piece isn’t a full figure, the emotions shown on their faces are very animated.
Storytelling, mythology, and emotion are all signifiers of the unknown.  There are many aspects of life that are mysterious and strange, I am able to explore some of these mysteries through creating my characters.  The BFA program will help me to search for more of the unknown, and develop a better understanding of sculpture and ceramics.

1 Lauren Augustine BFA: Transformation



1 Augustine, "Transformation", ceramic and acrylic paint, 23"x 25"x 13", emotion and figure study ART 4320, 2016.

2 Lauren Augustine BFA: Fearsome






2 Augustine, "Fearsome", chicken wire frame, polymer clay, acrylic paint, sand and black glass, 12"x 33"x 17", creature study self directed, 2015.

3 Lauren Augustine BFA: Curiosity



3 Augustine, "Curiosity", ceramic and under glazes, 8"x 9"x 5", human/animal hybrid study ART 3310, 2016.

4 Lauren Augustine BFA: Anger


4 Augustine, "Anger", ceramic and cloth, 25"x 26"x 8", study of the figure and emotion ART 4310, 2015.

5 Lauren Augustine BFA: The General


5 Augustine, "The General", plaster, cloth, and a wood frame, 109"x 32"x 18", cast multiples of one object ART 3700, 2014.

6 Lauren Augustine BFA: Figure Study

6 Augustine, "Figure Study", ceramic, 4"x 4", new clay body figure study ART 4310, 2015.